Instead of trying to replicate its predecessor, thatgamecompany has instead iterated and expanded upon what came before to craft an adventure that’s strange, meditative, and memorable. In some regards, Sky’s focus on deeper gameplay robs it of a bit of the charm that made Journey’s elegant simplicity so special the first time around, but that’s often the case with follow-ups and spiritual successors. Thankfully, the forgiving and welcoming design meant minor annoyances like floaty controls rarely interrupted the fun. The on-screen controls do a respectable job while exploring, but when you need precision and subtle movements for platforming segments or when guiding another player around the world, the lack of actual buttons and control sticks got in the way a bit. While I loved every minute of Sky on an iPhone, I couldn’t help but yearn for a more capable gaming system. Visually, it’s breathtaking from start to finish and even though you’re just lightly tapping on the screen and watching the environment bursting with light, it’s hard not to feel at ease. Many scenarios are heartbreaking, featuring characters buckled over in grief, and that makes your relieving touch to dissipate the spirit all the more powerful. Story events aren’t explicitly explained, but you can put the pieces together based on the environments and poses of each silhouette you encounter. On the surface, these puzzles are often as simple as tapping on a candle to light it up or following a trail of glittering dust to the next spirit silhouette, but there’s a satisfying magic in every interaction. The entire game is completable from start to finish entirely solo, but several hidden doors and secret side areas can only be unlocked if multiple players gather together to solve simple puzzles, like lighting two candles at the same time. Play Sky is as complex as you want it to be.
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Each of the seven different landscapes has a personality of its own, from the ethereal and cloud-heavy worlds full of floating islands to those covered in dense, green grass inviting you to skate across the prairies, or even forests drenched in rain that evoke a somber yet comforting atmosphere. Instead, it actually felt like the shackles of a guided tutorial and restricted level designs are removed by the time you reach the second world, about 15 minutes in. Plus, interactions with other players are so responsive and fun that the simple format doesn’t grow tiresome. And arguably, meeting and playing with others is just as important to the story as the minimalist cutscenes themselves. The sounds they make sound are desperate and painful, while your character and the spirits you discover are more melodic and cheery in tone. Large creatures appear in between worlds to offer a Shadow of the Colossus-esque emotional weight to everything. If the subtle storytelling wasn’t as delightful to watch.
Detailed guidance on where to go or what to do generally isn’t needed because exploring the open and inviting worlds and intuitively finding things on your own is basically the entire game, but naturally it can also be a bit unclear where to go at times. Similar to Journey, Sky offers an almost unrivaled sense of freedom, specifically because of its simplicity. Learning those unnecessary but useful techniques gives it a sense of progression even though you’re not mechanically unlocking new abilities. Or if you land a jump on the downward side of a hill, you’ll skate across the ground at higher speeds.
If you time your jumps just right to hop immediately after landing the previous jump, you pick up speed while skipping across fields and meadows. For example, there are nuances to movement you can pick up as you play.
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“Tutorials teach you how to do things like move around with the floaty and sometimes obtuse on-screen virtual joystick controls, jump by tapping your right thumb, and soar through the clouds by holding it down, but Sky is a game about discovery in more ways than just its world.
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